I was thinking what could possibly get Joe Biden, Pope Francis and Chinese Comunist party on the same boat…
And it turns out Eternity does be a thing…
In all seriousnes:
The brave is brave until the coward stopped him.
Spanish proverb.
I was thinking what could possibly get Joe Biden, Pope Francis and Chinese Comunist party on the same boat…
And it turns out Eternity does be a thing…
In all seriousnes:
The brave is brave until the coward stopped him.
Spanish proverb.


Coming soon…
Anarchy and Petrol Cheers.
Meanwhile, you can read the original Spanish:
Anarquía y Brea Fría:
Btw, microplastics do be a serious issue…
Last Saturday…
(….)

I submitted a proposal article in Spanish on Microessay
https://es.wikipedia.org/wiki/Microensayo
(Microensayo).
It was shortly taken down.
I inmediatly applied for its restoring providing with arguments.
I got eyes. I know I’ve publicly claimed that I have created a new writing genre on Wikipedia, no less.
I still have no news. Another editor should be working on it…
And now, this is an “only time can tell” situation.

“It is March the First of 2022. As I am writing these words, people gradually realize, that we are Globalized on the Higher Spheres.”
A Priori Fallacy:
The sofist accuses the opponent of something that he is indeed doing:
E.g.: A political debate. Politician A is about to give false statiscical data*, so he accuses his opponent of being doing that very same thing.
The key is he will therefor be able to defend himself from the true accusation.
*Assuming that were a thing.
_______________________
Idiotic Association Fallacy:
Works specially well in Spain. You make an “idiotic strawman” which says exactly what you are trying to cover up (say there’s no need to use masks eitherways), along with actual crazy stuff.
Which could be aliens, time travel, Illuminatti, apology of drug use, or, in an overall way, things that go against the population’s preset idea; and which, invites them to laugh at the Idiotic Strawman, thus invalidating the true fact(s).
E.g. Someone on Reddit says CIA killed John F. Kennedy. Inmediately, some “random” user states “I bet you also believe in aliens lolololol.”

Haitian Vodoun is itself a Syncretism. It merges elements from African Ancient Religious beliefs and some of Christianism and others…
As we can see in the video, the image shows a Cross and a Key.
The rest is pure parafernalia.
Vodoun includes a series of beliefs, of which have a special place:
1. Belief in a Supreme Deity. Which they would call Bondye (from Haiti Crole “Good God”. It is inaccesible.
2. Iwas. Sort of intermediates between us humans and Bondye. A Vudoist is meant to devote their life to one Iwa exclusively.
3. There are guides. Some of them lead us into well-hearted actions; whereas others lead us into Evil.
4. There is no counterpat to the Supreme Goof Entity. What other religions would call a Satán (from Hebrew, Enemy).
Now, let’s make a greater Syncretism.
In THEISTIC SYNCRETISM, we believe:
1. There is a God. One.
2. God has no counterpart, devil*, demon or Satán. Us humans are responsible for each of our actions.
3. Said responsibility is Judged through a “Balance”. Divine Justice may be Eerthen or after our Death.
3.1. God also takes into consideration, not only our actions, but as well the experiences or circumstances which led us into them.
4. God participates actively in human History, in a way or another.
5. Therefor, Vodoun is a way to and consists in a Prayer (id est, talking to God), for the Balance to take place Earthenly.
* A “devil” is nothing but an extremely intelligent human being.
6. Source: Turns out God does be accesible… Surprise…

Djoser’s mortuary complex comprises the great trench, enclosure wall, colonnaded entrance, ‘T’ temple, Sed festival complex, north and south pavillons, south tomb and court, western mounds, mortuary temple, and the crowning feature of it all, the step pyramid with its substructure. The complex was a landmark achievement for Egyptian architecture. It was the advent of the pyramidal form of the royal tomb and the first instance of the mass use of limestone in construction, replacing mudbrick which had been the staple building material prior. This shift to limestone – a hard, dense material compared to mudbrick – presented novel challenges to the architects. Though they kept to earlier tradition, copying architectonic elements and carving them into the stone. For example, the Egyptians hand-carved 1,680 9 m (30 ft; 17 cu) tall niches out of the limestone enclosure wall. In earlier projects, this element was built with wooden planks, ropes, and poles hung with reed mats. In a modern context, the same element would be built by laying out the blocks to form the recesses.

Complex layout: 1) step pyramid, 2) south tomb and chapel, 3) Sed festival complex, 4) ‘T’ temple, 5) south court, 6) south pavillon, 7) north pavillon, 8) mortuary temple, 9) western mounds, 10) colonnaded entrance, 11) north court, 12) north galleries, 13) step tombs, 14) serdab, and 15) north altar
The crowning feature of the complex is the Step Pyramid which rises from the Saqqara plateau in six steps to a height between 60 m (200 ft; 110 cu) and 62.5 m (205 ft; 119.3 cu). This element was revised repeatedly in construction, going through a series of developmental phases that culminated in its step pyramidal form. These phases are traditionally labelled, following Jean-Philippe Lauer’s excavations: M1, M2, M3, P1, P1′, and P2.
In the early stages (M1 to M3) the structure had the form of a mastaba before alterations (P1 to P2) were made to create its step pyramidal form. In the first stage (M1), the mastaba had a square plan 63 m (207 ft; 120 cu) in length that rose to a height of 8.4 m (28 ft; 16 cu). This was built from a core of limestone blocks arranged in horizontal beds and bound with yellow or red clay. A 2.6 m (9 ft; 5 cu) thick casing of fine white Tura limestone was applied to the core arranged in the same horizontal manner. The outer blocks were inclined to ~82° and the top of the mastaba likely had a slightly convex shape. A second casing of fine white limestone was applied to this which increased the mastaba’s base length to 71.5 m (235 ft; 136 cu) square (M2). The casing was 4.2 m (14 ft; 8 cu) thick at the base and 3.4 m (11 ft; 6.5 cu) thick at the peak, which was 0.65 m (2 ft; 1 cu) lower than the initial mastaba height. The outer blocks of this second coat also had a steeper incline at ~76°. The mastaba was then extended 8.4 m (28 ft; 16 cu) east to cover a series of eleven shafts 33 m (108 ft; 63 cu) deep that ended in passages that led west to the burial chambers of members of Djoser’s family. This extension was built from locally sourced limestone rubble and cased by 1.5 m (5 ft; 3 cu) thick limestone coating that formed an extension of M2. The mastaba had a new, rectangular ground plan 71.5 m (235 ft; 136 cu) by 79.5 m (261 ft; 152 cu). At this stage the mastaba still peaked at 8.4 m (28 ft; 16 cu) in height, too short to be seen from outside the 10.5 m (34 ft; 20 cu) high enclosure wall.
Egyptologists are split on the motivations behind the conception of the pyramidal form that the mastaba was converted into. Lauer believed that the alteration was made to have the tomb visible from Memphis. The fact of the mastabas square plan led Rainer Stadelmann, however, to suggest that it was never the intended final form and that it was planned to be a pyramid from the outset. The conversion (P1) encased the mastaba (M3) extending its length by 5.76 m (19 ft; 11 cu) on each axis giving it a base length of 85.5 m (281 ft; 163 cu) by 77 m (253 ft; 147 cu). The alteration from mastaba to pyramid came with a shift in construction. The builders used larger and better quality, roughly dressed limestone blocks – but instead of horizontal beds, they built successive inclined accretion layers 2–3 m (6.6–9.8 ft) thick. These leaned on each other from opposite ends providing greater stability preventing a collapse. The whole was then cased in fine white limestone with a layer of packing in between. This phase of the pyramid had four steps that rose to a height of 42 m (138 ft; 80 cu). The decision was then made to expand the pyramid north and west from four to six steps (P1′) which was then finished with a final layer of limestone casing (P2) that gave the pyramid its final form. On completion the step pyramid had a base length of 109 m (358 ft; 208 cu) by 121 m (397 ft; 231 cu) that rose to a height of 60–62.5 m (197–205 ft; 115–119 cu) and occupied a volume of 330,400 m3 (11,670,000 cu ft).
Much of the rock for the pyramid was likely quarried from the construction of the great trench. It is widely accepted that ramps would have been used to raise heavy stone to construct the pyramid, and many plausible models have been suggested. For transport, apparatuses like rollers were used in which the heavy stone could be placed and then rolled.



Under the step pyramid is a labyrinth of tunneled chambers and galleries that total nearly 6 km in length and connect to a central shaft 7 m square and 28 m deep. These spaces provide room for the king’s burial, the burial of family members, and the storage of goods and offerings. The entrance to the 28 m shaft was built on the north side of the pyramid, a trend that would remain throughout the Old Kingdom. The sides of the underground passages are limestone inlaid with blue faience tile to replicate reed matting. These “palace façade” walls are further decorated by panels decorated in low relief that show the king participating in the Heb-sed. Together these chambers constitute the funerary apartment that mimicked the palace and would serve as the living place of the royal ka. On the east side of the pyramid, eleven shafts 32 m deep were constructed and annexed to horizontal tunnels for royal family members. These were incorporated into the pre-existing substructure as it expanded eastward. In the storerooms along here over 40,000 stone vessels were found, many of which predate Djoser. These would have served Djoser’s visceral needs in the afterlife. An extensive network of underground galleries was located to the north, west and south of the central burial chamber and crude horizontal magazines were carved into these.
“I think things-as-such through my mind and senses”
–Daniel Prior.


I do not bother to hide it.
I voice it out: For you to hear my up.
My words, Gibt fein Acht.
I’ve spent years now in the Psyquiatric Ward.
What I do hide, are my true reasons: But we are friends, this is my secret, my gift, from me to thee;
I am a sadistic. As easy as that.
I dispise certain people. The ones who are weak enough to feel my power,
Which relies in my authorità.
I fear no punishment, nor Earthen or Godly…
They think they are better than others, id est, better than me (better than God himself, ya believe it? Heathens!), so I psychologically torture hem into insanity and…
O’Clock. My shift endes here.
For now…

This is a hell of a mistery, so we are proceeding very carefully;
First off, we are going to rely on Spanish thinker and author Ortega y Gasset’s idea:
“I and me and my circumstances.”
Let’s play out a real rough example (I like to use these because from my understanding they work better):
You are a strong man. 6 feet tall, “good Will Hunting” like IQ.
Not only you never had access to proper education or even good livehood, but you live in freaking Siria. A bombing’s just blown away your house with you inside of it.
What would that make the meaning of your life?
…And other reasons why the meaning of my life used to be: vengeance and survival, in that order (“surprise…”)
There is, no meaning of life. Well off, you very can give it one.
You can aim as high as you consider, remember, if your circumstances allow you to do so.
You can settle to a job that very could be automated, no family and no friends. But a dog. I like dogs.
And well… Your circumstances very can kill you, in the strong meaning of the word.
And then, there’s a “You”, a you which can make you take advantage of circumstances, experiences, that may had killed another person.
But this is me. And the meaning of my life is to universalize human knowledge. Or to die tryin’.
But, trying.
Thanks for reading.